Archive for film

Birthday Sale Print

Posted in Prints with tags , , , , , , , , , , , , , , , on 2018/07/10 by jimhairphotos

PrintBrownTwins91111902RealaHB

Limited to 65 numbered 8” x 10” prints, the “birthday” sale is active from July 10 ending July 17.

Prints numbered 1 through 4 are reserved by the photographer, print number 5 will be donated to the San Francisco Public Library, Special Collections, all other prints will be sold first come first served, with a limit of one print per buyer.

Each print will include a document recalling the circumstances of the making of the photograph in 1991, and the specific print number, signed by Jim Hair.

“Marian and Vivian Brown, San Francisco Embarcadero, 1991” was made by Jim Hair using a Hasselblad camera and Fuji Reala 120 film.  It has not been offered for sale previously, and will not be available for the special “birthday price” after July 17, 2018.

First patented in 1912, the “chromogenic” process for creating color film and prints is nearly extinct, replaced by digital media and methods.  The chemistry and equipment necessary to create this print is presently limited, and may soon be completely unavailable.

The print offered in this sale was enlarged from the original 1991 negative and optically printed by Jim Hair, in the Photoland color darkroom at Evergreen State College in Olympia, Washington on July 9, 2018.  The actual image size is 7.5” x 7.5” with white borders printed on 8” x 10” Fuji Crystal Archive glossy paper.


Photographs by Jim Hair : The 1970’s

Posted in Books and Publications with tags , , , , , , , , on 2017/12/05 by jimhairphotos

Hippies to Hells Angels, San Diego to Santa Cruz; the photographs in this modest book were made primarily with a Canon F1 or Rolleiflex camera, on Ilford HP4 and FP4 film.  60 pages, paper bound, black and white. $20 each, free shipping within the USA.

 

Photographs by Jim Hair : The 1970’s

6x6 60 page, paper bound book of photographs made by Jim Hair in the 1970's

$20.00

 

 

Film or Digital?

Posted in Uncategorized with tags , , , , , on 2013/02/23 by jimhairphotos

It is a strange thing to live through changes that affect the way everything works.  When I was ten I believe my grandmother guided me to becoming a photographer, after the death of her favorite brother Jack.  He had been a photographer since high school and went on to become the Asian Bureau Chief for Life magazine in World War Two.  I was taken to the Naval Training Center Hobby Shop evenings and weekends, where I learned how to process film and make prints while my grandmother painted cast ceramic frogs that would end up in my grandfather’s garden, peering up from the dichondra that surrounded the goldfish pond.  My grandfather had created a fountain out of black painted cinder blocks that had a cement cast Thai Buddha sitting on top.  I never had the chance to ask my grandfather, a Pearl Harbor survivor and officer aboard the USS Enterprise throughout the war, why he had created a Japanese style garden in his backyard after the war, complete with koi, the Buddha, and a Torii Gate?

Generally we pass through life without asking questions about what we experience as it seems natural and just the way things are.  Photography is different.

 

Forty years I made photographs with a series of cameras and film, and the only question was color or black and white, or 35mm or large format?  It seemed like I shared this with generations with relatively few variations, until the end of the 1980’s and computers became a tool we used to change the way we did things.  Gradually film has been displaced by digital to the point where I am now wondering how much longer it will be possible to continue making photographs as I have for decades, or will I also have to accede to a new limit with the loss of even the possibility of using film?

 

Does it matter?  I have recently received a package containing twenty rolls of processed film from Blue Moon Camera and Machine in Portland, Oregon.  A decade ago, if I photographed an event in San Francisco I might have shot twenty rolls in a single day, but now these twenty represent the film I have used in the last six months, everything else having been documented digitally.  The act of making a photograph has changed as people used to have the patience to stand still while I adjusted focus and f-stop; now the meeting of a stranger, the exchange of a few words of introduction and granting permission, then making a photograph, are over in seconds.  Maybe there was the illusion of making a connection with someone in the past, of sharing a story and hearing about someone else’s life, if even for only a few minutes; now the limited exchange allows only for the sharing of superficial details.  It is now easier to make thousands of photographs in the time it took to make a few dozen just a few years ago, are the images we make now as significant as when our collecting was constrained?

 

If we are making superficial images of what we see and experience, what have we sacrificed in a deeper understanding of our world and the people we meet?  As the technology has improved, is there any difference in the quality of a film and a digital image?Image